Finally, Planetary #27 is out in October. Planetary is a comic unlike most: it’s about explorers and adventures and the secret mysteries of the world. It’s about the drawing a common thread linking pulp fiction, comics, novels and the fantastical, larger than life characters in their pages and fuelling them with imagination and the sense of wonder we increasingly seem to lack.
These stories draw you right in. They breathe something marvellous in you — and you can’t help but be taken up along with it.
Check out the preview pages here.
Finally, there’s the best bit of all, to me the greatest moment in comics history: part 22 of The Apocalypse War. Having fought a losing battle against the invaders, seen half of Mega-City One destroyed, massacred collaborators and euthanised the critically wounded, Dredd has led an elite team of Judges into an East-Meg missile silo. Following one of the best action sequences I’ve ever read in a comic, the Judges find themselves unable to gain access to the operations room, until Dredd simply bangs on the door with his pistol and shoots the curious halfwit who opens it point-blank. Our boys storm the ops room and seal the door. Anderson, the telepath (and only volunteer in the Apocalypse Squad- no peacenik cosmic wandering in those days) pulls the launch codes out of the silo commander’s mind. The nukes are targeted on East-Meg One. “Please, Dredd”, begs the commander, “There are half a billion people in my city–half a billion human beings! You can’t just wipe them out with the push of a button!” And Dredd doesn’t hesitate, not even for a second.
He can and he does. I still think about that today; what it meant about the character, and about the comic I was reading (aged 12). Even now I don’t know if Dredd was right or if he was wrong. It was the only way to win, to avoid the further slaughter and enslavement of his own people–but it was genocide. It was moral courage on an almost unimaginable level–but it was appalling. In the end, it was a dilemma not unlike those faced by a number of good and bad men in our own history, and if I had to sum it up in one line, I’d say this: what are you prepared to do when there isn’t any easy way out?
And that, I think, is why I’ve never been able to care about Batman, or Wolverine, or Iron Man… or any of them, really. Not because of what characters like that would or wouldn’t do, but because their publishers would never have the courage to have them written into such a situation.
– Garth Ennis, from Bleeding Cool.
When your fave writer speaks, you listen. It’s stuff to think about — and to remember — that you write what you know, or what you know to be true to the characters you write about. It may a bit cliche to talk about it like that, but sometimes we forget that we can’t pander to political correctness for the sake of sacrificing authenticity; if we do so we forsake any form of credibility or respect as a writer. Might as well just go ahead and become an ST journalist.
Keep it real, friends.
From Warren Ellis:
This is the test animation for the IRON MAN anime series I’m writing, produced for the south east Asian market. Note test animation: it’s intended to show off the style of the piece only. Nothing in here reflects the actual content, just the design and the aesthetic and the animation. The only character in this piece that is in the actual series is Iron Man himself, okay?
Marvel Anime is a collaboration with Madhouse (Trigun, Chobits, Claymore) and written by Warren Ellis.
Watch the Marvel Anime Iron Man teaser trailer here. It’s pretty sweet, but the Japanese are the originals at mecha-lovin’, so the old tin can gets the treatment he deserves.
There’s another one for Wolverine, but I’m not a fan of his mullet and the fighting style is way off base; I’m still interested in seeing how it develops, though. Ah well, the writing should be good enough, I suppose.
Filed under anime, comics
Catching up on my Fables reading, when I came across the lawyer-friendly appearance of Fafhrd and the Grey Mouser. I have to admit geeking out when I discovered it.
If you haven’t been reading Bill Willingham’s Fables and gawking at James Jean’s cover art, start already. Even if you aren’t a fan of comic books. Yes, it’s that good.
My Milk Toof is a photo comic by Inhae Renee Lee that is really too cute for words: “When I was young, I placed my baby teeth under my pillow and when i woke up I’d find a shiny new quarter. But whatever happened to those little teeth? Where did they go? Would I ever see them again?
Many years later, a little tooth was standing at my door. It looked familiar. It’s name was ickle. Welcome home, my milk toof!”
by enikone, via nic
This is probably my favourite out of all in the Totally Awesome Joker Collection. Reminiscent of Tim Bradstreet’s work on John Constantine.
Heath Ledger and Nolan have created one of the most seminal portrayals of a supervillain in cinema, and one wonders when we might see the likes of Ledger’s performance once again.
via Warren Ellis
Captain Swing and the Electrical Pirates of Cindery Island, with art by Raulo Caseres.